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    • 2017
      • Editor’s Note
      • The Lake
      • Luc Sante: “I’d Always Like to Hear More About the Real”
      • “You Can Learn About the Navigation Patterns of Birds over Warsaw”: An Interview with Diane Ackerman
      • Bernard Cooper and the Essayistic Sentence
      • Essayistic Interventions: Taking the City into the Theater
      • Reading Orwell in the Dole Queue
    • 2016
      • Editor’s Note
      • In Defense of Navel-Gazing
      • Hydra: I’ll be Your Mirror
      • Bodies of Text: On the Lyric Essay
      • Essaying the Plains
      • The Ghost Essay of Custer County: Solomon Butcher’s Photographs of the Sod House
      • On Paper, Didot, and Sadness
      • On The Interactive Digital Lyric
      • An Interview With Matthew Gavin Frank
    • 2014
      • Editor’s Note
      • The Course of Interpretive Discovery: An Essay on the Essay, an Essay on Criticism
      • We Try
      • Essay, Collection or Memoir: What We Write, What We Publish, and What’s the Difference?
      • On Syntax
      • On Drawing (Essaying) Nonfiction: As a Set of Seven Instructions
      • Essaying the Image
      • The Mind and Heart and Gut at Work
      • Lamb & Lester
    • 2013
      • Editor’s Note
      • from A History and Poetics of the Essay
      • Queering the Essay
      • An Interview with David Shields
      • Picturing the Perfect Essay: A Visual Guide
      • An Essay on the Context of Essays
      • This Essay is a Dress
      • A Review of Lucas Mann’s Class A: Baseball in the Middle of Everywhere
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2014

Volume 1 | Issue 2 | Spring 2014

Editor’s Note

Lamb & Lester

The Mind and Heart and Gut at Work

Essaying the Image

On Drawing (Essaying) Nonfiction: As a Set of Seven Instructions

On Syntax

Essay, Collection or Memoir: What We Write, What We Publish, and What’s the Difference?

We Try

The Course of Interpretive Discovery: An Essay on the Essay, an Essay on Criticism

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